Ravenous (CANADA)

Power Metal , Symphonic Metal , Opera Metal
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Ravenous (CANADA)

Postby Horex » 25 Dec 2024, 17:45

Ravenous - Eat The Fallen (2019)

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Year : 2019
Style : Power Metal , Heavy Metal
Country : Canada
Audio : 320 kbps + all scans + Video
Size : 180 mb


Bio:

Ravenous was forged in the spring of 2016 in Calgary, Canada.Brainchild of lead vocalist R.A.V., known for his exploits leading Edmonton-based terrorist metal band Villainizer, Ravenous also features members of several other established Western Canadian metal bands Viathyn, Scythia, and Black Pestilence. Influences ranging from Thrash, Power, Black, and Progressive metal have come together to deliver heroic heavy metal anthems in the stylings of Manowar, Sabaton, Iced Earth, and Gravedigger.Rife with soaring vocals, thundering percussion, and shredding solos, the 'Eternal Hunger' EP was recorded and self-produced in December 2016, and features just a taste of what is to come from Ravenous. Pump your fist, bang your head, and roar your lungs out to show your hunger.

Album:

RAVENOUS E.H comes out swinging; from the wolf’s howl on "The Hunger Never Dies", we are treated to a bombastic display of high-intensity, flashy guitar work and frenetic drumming. The vocals are lower than most 80s NWOBHM/speed metal vocals were—which is musically the clear predecessor—but not down to a growl; I actually think that helps not interfere with the work the guitar are doing. "Space and Time" begins with some phaser-heavy riffing straight out of late 70s heavy rock, and is a good deal more epic than the opener, with keyboards ringing throughout, and a more spaced-out approach to riffs. Around the three-minute mark the solo takes off; a harmonized barrage of pull-offs and open string Maiden licks, interrupted briefly before resuming, this time joined by keys like a classic metal CHILDREN OF BODOM."Doom Holds the Key" introduces itself with an evil sounding guitar melody, which lays back and lets bass and drums drive the song forward when the verse kicks in. That melody returns later in the chorus, harmonized by understated keys. In the choruses, the vocals take on a chanting style emphasizing the eeriness of the instrumentation. A spoken interlude gives way to a short solo based around the core melody, with scale runs and legato flourishes sprinkled in. "Adrift’"reminds me of classic melodeath or of something THREE INCHES OF BLOOD might do with its driving KALMAH-esque riffs. The band combines those with clear vocals similarly to FALCONER, but this guy’s voice annoys me less. Even the softer section manages to propel itself forward through meaty muted triplets.The most interesting part of the song "Mercenary" is the solo; although it opens with some cool melodic histrionics, it abandons those pretty quickly. A Maiden-esque melody rings through the choruses, underlaid with blasting tremolo picking. "Beyond the Ice" is much more immediate, with galloping drums and a stomping chorus. The vocals are much more strident and take-no-prisoners aggressive. Where this band shines is their melodic interludes, and "Beyond the Ice" boasts a beautifully harmonized interlude. "Strength of a Warrior" reminds me of ENSIFERUM in the intro, which is an energy I wish they kept throughout. But without the acrobatic folk melodies, the lyrics and power metal atmosphere on this song sounds like they are missing a crucial component. On this album in general I could use more active guitar work, because I think that is what defines power metal—which at least lyrically is pretty much what this band is. Without the driving melodic energy of the guitars, you’re left with usually cheesy lyrics and drumming that, although powerful, cannot do the job alone. Things like the interlude at the three-minute mark of "A Tale of Good Omens" are what keep the energy flowing."Conquering the Sun" definitely has the guitar work I was talking about, at least in the intro. Over the verse I’m still getting mostly drums and maybe some gallops. A guitar melody does underly the chorus, though, and after a keyboard fill, launches into a short lead. The song ends the way so many Maiden songs (and others, but Maiden is the most obvious culprit) do, by repeating the chorus endlessly. Overall the album is powerful, not the most original, but solid. I would like to see the guitars take a more prominent position in the mix or have more to do, since to me that is the main draw of power metal, but that might boil down to personal preference.

Line Up:

R.A.V. - Vocals (2016-present) - See also: Sixguns over Tombstone, ex-Villainizer, ex-Death Toll Rising (live), ex-Kobra and the Lotus (live), ex-Shadowblade
Valax - Bass (2016-present) - See also: Black Pestilence, ex-Lithica, The Myconid
Jake Wright - Guitars (2016-present) - See also: Viathyn
Dave Crnkovic - Drums (2018-present) - See also: Viathyn

Tracklist:

01. The Hunger Never Dies 03:14
02. Space and Time 04:59
03. Doom Holds the Key 04:30
04. Adrift 05:56
05. Revenge of the Beloved (Interlude) 02:14 instrumental
06. Mercenary 04:32
07. Beyond the Ice 03:38
08. Strength of a Warrior 04:08
09. A Tale of Good Omens 04:51
10. Conquering the Sun 04:11
11. The Bard's Song (Blind Guardian cover) (Hidden Track)

+ Video "Conquering the Sun" (Official Video)


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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/
User avatar
Horex
Metalový král
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Posts: 34643
Joined: 21 Feb 2013, 19:14
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Re: Ravenous (CANADA)

Postby Horex » 25 Dec 2024, 17:45

Ravenous - Eat The Fallen (Japan Edition) (2019)

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Year : 2019 (Japan Edition)
Style : Power Metal , Heavy Metal
Country : Canada
Audio : 320 kbps + all scans
Size : 135 mb


Bio:

Ravenous was forged in the spring of 2016 in Calgary, Canada.Brainchild of lead vocalist R.A.V., known for his exploits leading Edmonton-based terrorist metal band Villainizer, Ravenous also features members of several other established Western Canadian metal bands Viathyn, Scythia, and Black Pestilence. Influences ranging from Thrash, Power, Black, and Progressive metal have come together to deliver heroic heavy metal anthems in the stylings of Manowar, Sabaton, Iced Earth, and Gravedigger.Rife with soaring vocals, thundering percussion, and shredding solos, the 'Eternal Hunger' EP was recorded and self-produced in December 2016, and features just a taste of what is to come from Ravenous. Pump your fist, bang your head, and roar your lungs out to show your hunger.

Album:

RAVENOUS E.H comes out swinging; from the wolf’s howl on "The Hunger Never Dies", we are treated to a bombastic display of high-intensity, flashy guitar work and frenetic drumming. The vocals are lower than most 80s NWOBHM/speed metal vocals were—which is musically the clear predecessor—but not down to a growl; I actually think that helps not interfere with the work the guitar are doing. "Space and Time" begins with some phaser-heavy riffing straight out of late 70s heavy rock, and is a good deal more epic than the opener, with keyboards ringing throughout, and a more spaced-out approach to riffs. Around the three-minute mark the solo takes off; a harmonized barrage of pull-offs and open string Maiden licks, interrupted briefly before resuming, this time joined by keys like a classic metal CHILDREN OF BODOM."Doom Holds the Key" introduces itself with an evil sounding guitar melody, which lays back and lets bass and drums drive the song forward when the verse kicks in. That melody returns later in the chorus, harmonized by understated keys. In the choruses, the vocals take on a chanting style emphasizing the eeriness of the instrumentation. A spoken interlude gives way to a short solo based around the core melody, with scale runs and legato flourishes sprinkled in. "Adrift’"reminds me of classic melodeath or of something THREE INCHES OF BLOOD might do with its driving KALMAH-esque riffs. The band combines those with clear vocals similarly to FALCONER, but this guy’s voice annoys me less. Even the softer section manages to propel itself forward through meaty muted triplets.The most interesting part of the song "Mercenary" is the solo; although it opens with some cool melodic histrionics, it abandons those pretty quickly. A Maiden-esque melody rings through the choruses, underlaid with blasting tremolo picking. "Beyond the Ice" is much more immediate, with galloping drums and a stomping chorus. The vocals are much more strident and take-no-prisoners aggressive. Where this band shines is their melodic interludes, and "Beyond the Ice" boasts a beautifully harmonized interlude. "Strength of a Warrior" reminds me of ENSIFERUM in the intro, which is an energy I wish they kept throughout. But without the acrobatic folk melodies, the lyrics and power metal atmosphere on this song sounds like they are missing a crucial component. On this album in general I could use more active guitar work, because I think that is what defines power metal—which at least lyrically is pretty much what this band is. Without the driving melodic energy of the guitars, you’re left with usually cheesy lyrics and drumming that, although powerful, cannot do the job alone. Things like the interlude at the three-minute mark of "A Tale of Good Omens" are what keep the energy flowing."Conquering the Sun" definitely has the guitar work I was talking about, at least in the intro. Over the verse I’m still getting mostly drums and maybe some gallops. A guitar melody does underly the chorus, though, and after a keyboard fill, launches into a short lead. The song ends the way so many Maiden songs (and others, but Maiden is the most obvious culprit) do, by repeating the chorus endlessly. Overall the album is powerful, not the most original, but solid. I would like to see the guitars take a more prominent position in the mix or have more to do, since to me that is the main draw of power metal, but that might boil down to personal preference.

Line Up:

R.A.V. - Vocals (2016-present) - See also: Sixguns over Tombstone, ex-Villainizer, ex-Death Toll Rising (live), ex-Kobra and the Lotus (live), ex-Shadowblade
Valax - Bass (2016-present) - See also: Black Pestilence, ex-Lithica, The Myconid
Jake Wright - Guitars (2016-present) - See also: Viathyn
Dave Crnkovic - Drums (2018-present) - See also: Viathyn

Tracklist:

01. The Hunger Never Dies 03:14
02. Space and Time 04:59
03. Doom Holds the Key 04:30
04. Adrift 05:56
05. Revenge of the Beloved (Interlude) 02:14 instrumental
06. Mercenary 04:32
07. Beyond the Ice 03:38
08. Strength of a Warrior 04:08
09. A Tale of Good Omens 04:51
10. Conquering the Sun 04:11
11. Into The Abyss (Demo 2017) (Japan Bonus Track)
12. Strength Of A Hero (Demo 2017) (Japan Bonus Track)
13. The Bards Song (Japan Bonus Track)


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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/
User avatar
Horex
Metalový král
Metalový král
Posts: 34643
Joined: 21 Feb 2013, 19:14
Contact:

Re: Ravenous (CANADA)

Postby Horex » 25 Dec 2024, 17:46

Ravenous - Hubris (Japan Edition) (2021)

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Year : 2021 (Japan Edition)
Style : Power Metal , Heavy Metal
Country : Canada
Audio : 320 kbps + all scans
Size : 128 mb


Bio:

Ravenous was forged in the spring of 2016 in Calgary, Canada.Brainchild of lead vocalist R.A.V., known for his exploits leading Edmonton-based terrorist metal band Villainizer, Ravenous also features members of several other established Western Canadian metal bands Viathyn, Scythia, and Black Pestilence. Influences ranging from Thrash, Power, Black, and Progressive metal have come together to deliver heroic heavy metal anthems in the stylings of Manowar, Sabaton, Iced Earth, and Gravedigger.Rife with soaring vocals, thundering percussion, and shredding solos, the 'Eternal Hunger' EP was recorded and self-produced in December 2016, and features just a taste of what is to come from Ravenous. Pump your fist, bang your head, and roar your lungs out to show your hunger.

Album:

Ravenous is a Canadian power metal band and Hubris is their second full-length album. Their style follows a couple of directions. For the most part, they play at top speed with the drums driving the songs during the verse/chorus before handing off to the guitars for the lead breaks where the solos keep the pace at a frenetic level. Occasionally, they slow down to a mid-paced tempo (with an obligatory ballad), but all the songs feature catchy melodies and hooky vocal lines in abundance. Hubris reminds me of early Dragonforce (the faster numbers) and Orden Ogan (the mid-paced material) though the songwriting is a notch or two below those bands currently. This is a solid second album from Ravenous, who display significant upside, and fans of the aforementioned bands will want to give it spin.

Line Up:

R.A.V. - Vocals (2016-present) - See also: Sixguns over Tombstone, ex-Villainizer, ex-Death Toll Rising (live), ex-Kobra and the Lotus (live), ex-Shadowblade
Valax - Bass (2016-present) - See also: Black Pestilence, ex-Lithica, The Myconid
Jake Wright - Guitars (2016-present) - See also: Viathyn
Dave Crnkovic - Drums (2018-present) - See also: Viathyn

Tracklist:

01. Carnage in Carthage (04:37)
02. Astral Elixir (05:16)
03. Son of Storms (04:33)
04. Die 1,000 Deaths (feat. Heinrich Yoshio) (05:24)
05. Bridgeburner (06:10)
06. The Alder Queen (feat. Nina Osegueda) (03:16)
07. March of Hunger (04:47)
08. Claw is the Law (feat. The Dread Crew of Oddwood) (05:23)
09. Onwards & Upwards (feat. Mathias Blad) (04:09)
10. ...Of Beasts & Faust (feat. Vincent Jones) (10:21)
11. Cakaw Te Partiro (Andrea Bocelli Cover) (Japan Bonus Track)
12. 瞬千撃 (Japan Bonus Track)


Image Image

Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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