Tim Bowness (ENGLAND)

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Tim Bowness (ENGLAND)

Postby Horex » 29 Jul 2024, 09:13

Tim Bowness - Lost In The Ghost Light (2017)

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Year : 2017
Style : Progressive Rock , Art Rock
Country : United Kingdom
Audio : 320 kbps + all scans
Size : 110 mb


Bio:

Tim Bowness (born 29 November 1963) is an English singer and songwriter primarily known for his work as part of the band No-Man,a long-term project formed in 1987 with Porcupine Tree's Steven Wilson.In addition to recording albums with No-Man (for record labels such as One Little Indian, Sony/Epic, Inside Out Music and Kscope), Bowness has appeared on albums by US artists OSI and David Torn, Italian artists Alice, Fjieri, Nosound and Stefano Panunzi, Norwegian groups White Willow and The Opium Cartel, and others.In 1994, he recorded an album with Porcupine Tree/Japan/Rain Tree Crow keyboard player Richard Barbieri, called Flame.Bowness has been a core or occasional member of several other bands. He has sung for German band Centrozoon and British electro-improvisers Darkroom on the more vocal-orientated projects performed and released by each group. He is the lead singer and guitarist for Henry Fool and also sings for Memories of Machines. He was singer (and occasional second guitarist) for Samuel Smiles between 1992 and 2000. Bowness also has a longstanding duo collaboration with Peter Chilvers (with whom he has worked in Samuel Smiles and Henry Fool). This project has so far produced one album, 2002's California, Norfolk.Bowness's debut solo album, My Hotel Year was released on One Little Indian in 2004. The album made use of Bowness collaborators both old and new, and featured Roger Eno and Hugh Hopper amongst others.In 2009, Bowness co-wrote and co-produced Talking with Strangers, an album by former Fairport Convention singer, Judy Dyble.Warm Winter, the debut album by Memories of Machines (a collaboration with Nosound's Giancarlo Erra), was issued on Mascot in April 2011, and the self-titled debut release by Anglo Estonian project Slow Electric was released on Panegyric in October 2011.Bowness's second solo album Abandoned Dancehall Dreams was released on 23 June 2014 on Inside Out Music. Produced by Bowness and mixed by Steven Wilson, collaborators included Pat Mastelotto, Colin Edwin and Classical composer Andrew Keeling. Richard Barbieri and Grasscut provided mixes for the bonus disc. Abandoned Dancehall Dreams came out to some of the best reviews of Bowness' career. Receiving positive endorsements from Prog and Classic Rock, the album reached No. 18 in the official UK Rock charts and No. 1 in Prog magazine's July 2014 and August 2014 charts.A follow-up to Abandoned Dancehall Dreams, Stupid Things That Mean The World, was released on 17 July 2015 on Inside Out Music. Bowness admitted similarities between the two albums, in both the musical approach and artwork, calling it the second part of a new chapter that began with Abandoned Dancehall Dreams.Produced by Bowness and mixed by Bruce Soord, collaborators included Peter Hammill, Colin Edwin, Phil Manzanera and David Rhodes. The album reached No. 10 in both the official UK Rock and UK Vinyl charts, and No. 1 in Prog magazine's July 2015 and August 2015 charts. In September 2015, Stupid Things That Mean The World was No. 9 in the first ever official UK Progressive chart.

Album:

"Lost In The Ghost Light" is a concept album revolving around the onstage and backstage reflections of a fictional ‘classic’ rock musician in the twilight of his career. It is a grand statement about a grand era of music making and an undoubted highlight of Bowness’s career. Ranging from the hypnotic opener "Worlds Of Yesterday" to the wistful climax of "Distant Summers", via the thrilling rage of "Kill The Pain That’s Killing You" and the orchestral expanse of "You’ll Be The Silence", the album features some stunning solos and harmonically rich compositions that represent Bowness’s most musically ambitious work to date. Lyrically, the album addresses how the era of streaming and ageing audiences affects creativity, how a life devoted to music impacts on real / family life, and how idealistic beginnings can become compromised by complacency and the fear of being replaced by younger, more vital artists. Though firmly focused on Bowness’s distinctive voice and musical approach, the album also draws inspiration from the period the concept covers and contains a notable 1970s symphonic/progressive rock influence. Mixed and mastered by Bowness’s No-Man partner Steven Wilson, "Lost In The Ghost Light" uses a core band comprising Stephen Bennett, Colin Edwin (Porcupine Tree), Bruce Soord (The Pineapple Thief), Hux Nettermalm (Paatos) and Andrew Booker (Sanguine Hum), as well as guests including Kit Watkins (Happy The Man, Camel), Steve Bingham (No-Man) and the legendary Ian Anderson (Jethro Tull). Andrew Keeling (Robert Fripp, Hilliard Ensemble, Evelyn Glennie) arranges for string quartet and flute on three of the album’s songs. Jarrod Gosling (I Monster, Cobalt Chapel) provides the fantastically detailed artwork, which includes a visual history of the career of the concept’s subject. The album was mixed and mastered by Steven Wilson. Tim Bowness follows 2015’s "Stupid Things That Mean The World" - Top 10 in the UK ‘Rock’, ‘Vinyl’ and ‘Prog’ charts - with a release unlike any in his back catalogue. Some biographic facts on Tim Bowness: Born and brought up in the North West of England, Tim Bowness started his music career in the early 90s and is primarily known as vocalist & co-writer with the band No-Man, a long-running collaboration with Steven Wilson (Porcupine Tree). In addition to releasing six studio albums and a documentary DVD with No-Man, Tim has worked with popular Italian artist Alice, Mercury Prize nominated Banco De Gaia, Robert Fripp, Peter Hammill and Roxy Music's Phil Manzanera (amongst many others). He has recorded for labels including InsideOutMusic, kscope, Mascot, Probe Plus, One Little Indian and Sony/Epic 550. Tim recorded the album "Flame" (1994) with Richard Barbieri (Porcupine Tree, ex-Japan), co-produced & co-wrote "Talking With Strangers" (2009) for Judy Dyble (ex-Fairport Convention), and regularly collaborates with Peter Chilvers (Brian Eno, Karl Hyde). Since 2001, Tim has co-run the successful specialist online label/store Burning Shed with No-Man live bassist, Pete Morgan. Bowness’s solo discography comprises "My Hotel Year" (2004, One Little Indian), "Abandoned Dancehall Dreams" (2014, InsideOutMusic), "Stupid Things That Mean The World" (2015, InsideOutMusic) and "Lost In The Ghost Light" (2017, InsideOutMusic).

Line Up:

Tim Bowness (No-Man, Henry Fool): Vocals, Backing Vocals, Synths and Rhythm Programming (6)
Stephen Bennett (Henry Fool): Keyboards, Additional Guitars (1, 2, 4, 5)
Bruce Soord (The Pineapple Thief): Guitars (1, 3, 5, 7, 8), Backing Vocals (1)
Hux Nettermalm (Paatos): Drums (1, 2, 5)
Andrew Booker (Sanguine Hum): Drums (3, 4, 7, 8)
Colin Edwin (Porcupine Tree): Electric, Fretless and Acoustic Bass Guitars

With:

Ian Anderson (Jethro Tull): Flute (8)
Steve Bingham (No-Man): Violin (7, 8)
Charlotte Dowding: Violin Ensemble (3, 4, 5)
Andrew Keeling: String Arrangements (3, 4, 5), Flute (3, 4, 5), Acoustic Guitars (4)
David Rhodes: Guitar (3)
The ‘unknown’ Pete Smith: Rickenbacker Bass (7)
Kit Watkins (Happy The Man/Camel): Flute (1, 6), Waterphone (6)

Tracklist:

01. Worlds Of Yesterday
02. Moonshot Manchild
03. Kill The Pain That's Killing You
04. Nowhere Good To Go
05. You'll Be The Silence
06. Lost In The Ghost Light
07. You Wanted To Be Seen
08. Distant Summers


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Re: Tim Bowness (ENGLAND)

Postby Horex » 29 Jul 2024, 09:13

Tim Bowness - Flowers At The Scene (2019)

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Year : 2019
Style : Progressive Rock , Art Rock
Country : United Kingdom
Audio : 320 kbps + scans
Size : 118 mb


Bio:

Tim Bowness (born 29 November 1963) is an English singer and songwriter primarily known for his work as part of the band No-Man,a long-term project formed in 1987 with Porcupine Tree's Steven Wilson.In addition to recording albums with No-Man (for record labels such as One Little Indian, Sony/Epic, Inside Out Music and Kscope), Bowness has appeared on albums by US artists OSI and David Torn, Italian artists Alice, Fjieri, Nosound and Stefano Panunzi, Norwegian groups White Willow and The Opium Cartel, and others.In 1994, he recorded an album with Porcupine Tree/Japan/Rain Tree Crow keyboard player Richard Barbieri, called Flame.Bowness has been a core or occasional member of several other bands. He has sung for German band Centrozoon and British electro-improvisers Darkroom on the more vocal-orientated projects performed and released by each group. He is the lead singer and guitarist for Henry Fool and also sings for Memories of Machines. He was singer (and occasional second guitarist) for Samuel Smiles between 1992 and 2000. Bowness also has a longstanding duo collaboration with Peter Chilvers (with whom he has worked in Samuel Smiles and Henry Fool). This project has so far produced one album, 2002's California, Norfolk.Bowness's debut solo album, My Hotel Year was released on One Little Indian in 2004. The album made use of Bowness collaborators both old and new, and featured Roger Eno and Hugh Hopper amongst others.In 2009, Bowness co-wrote and co-produced Talking with Strangers, an album by former Fairport Convention singer, Judy Dyble.Warm Winter, the debut album by Memories of Machines (a collaboration with Nosound's Giancarlo Erra), was issued on Mascot in April 2011, and the self-titled debut release by Anglo Estonian project Slow Electric was released on Panegyric in October 2011.Bowness's second solo album Abandoned Dancehall Dreams was released on 23 June 2014 on Inside Out Music. Produced by Bowness and mixed by Steven Wilson, collaborators included Pat Mastelotto, Colin Edwin and Classical composer Andrew Keeling. Richard Barbieri and Grasscut provided mixes for the bonus disc. Abandoned Dancehall Dreams came out to some of the best reviews of Bowness' career. Receiving positive endorsements from Prog and Classic Rock, the album reached No. 18 in the official UK Rock charts and No. 1 in Prog magazine's July 2014 and August 2014 charts.A follow-up to Abandoned Dancehall Dreams, Stupid Things That Mean The World, was released on 17 July 2015 on Inside Out Music. Bowness admitted similarities between the two albums, in both the musical approach and artwork, calling it the second part of a new chapter that began with Abandoned Dancehall Dreams.Produced by Bowness and mixed by Bruce Soord, collaborators included Peter Hammill, Colin Edwin, Phil Manzanera and David Rhodes. The album reached No. 10 in both the official UK Rock and UK Vinyl charts, and No. 1 in Prog magazine's July 2015 and August 2015 charts. In September 2015, Stupid Things That Mean The World was No. 9 in the first ever official UK Progressive chart.

Album:

One of the more consistent of the many bands that straddle the fence between art rock and progressive rock has been no-man, a collaboration between main songwriter/vocalist Tim Bowness and Steven Wilson. The last time these two men worked together was in 2008 on the ‘Schoolyard Ghosts’ album. Now Bowness is releasing ‘Flowers At The Scene,’ a solo album, produced by no-man, mixed by Wilson, and for all intents and purposes a true solo outing. Unsurprisingly given Bowness’s history, it is a very laid back and mellow affair. That being said, there is still more of an edge to it than in the last several no-man albums or his last solo album.The album starts with “I Go Deeper” and I would say it contains all the hallmarks of his recent output; tight, well-played arrangements, crisp drumming that in many ways sounds electronic, and of course Bowness’s instantly recognizable voice, a breathy laid back style that is borderline asthmatic in its sound. For many, this vocal style will be a make or break element for this and all other releases. Either you will enjoy its qualities, or you’ll enjoy the music while wishing that the static and breathy flatness would have some variation. I’m a bit in the middle; his earlier, more dreamy no-man albums fit the vocal style better than the more recent output, where the prog element is raised and the music often takes on a heavier edge. Ultimately though, that’s simply the style he has developed over the years and had much success with. I like them with this type of music but am unsure how it would translate outside his particular niche.The music throughout this album is heavily layered with multiple instruments. Besides the obvious rock instruments, nearly all also contain string and horns as well, never in an intrusive way, but subtlety in the background. You might not consciously think about them all the time, but you’d miss them if they were absent. Bowness also brings is a number of well-respected guest musicians, from Colin Edwin (ex-Porcupine Tree) on bass throughout, guitarist Peter Hammil (Van Der Graaf Generator), to Steven Wilson himself. The third track, “Rainmark,” has some especially effective electric guitar work courtesy of Fates Warning’s Jim Matheos, and is easily one of the early highlights of the album.At the halfway point of the album, we come across the title track. The song is more jazz in nature than the art rock of the rest and features another lovely solo by Matheos. It is immediately followed by “It’s The World,” the heaviest and darkest song on the album. Dealing with the multitude of miseries that we find in our everyday lives, the lines ‘it’s the world that isn’t fair’ are repeated often. And can be taken as literally saying that the world is no longer a fair, or lovely place, or as being unfair. Both takes are more than a little accurate in their own way.The album closes with the fairly quiet and electronic driven “What Lies Here,” which brings in the mellow, dreamlike guitar loops and synth work that no-man has primarily been known for. And while not being a terribly exciting or memorable closer, it is rich in melancholy and atmosphere and ends things in a fully appropriate fashion.Tim Bowness has with this co-production with no-man crafted an art rock album that is unique to himself. I can honestly not think of another project in the progressive and art rock world that reminds me of the type of work and vocals that he provides. And making it a no-man project with Steven Wilson adds an extra element to the proceedings. This feels more of a successor to earlier albums than more recent truly solo outputs. Fans of the earlier work of these two men will find plenty to enjoy here, and someone looking for a mellow and laid back art rock album that is carefully produced and performed will find plenty to enjoy as well.

Line Up:

Tim Bowness - vocals, synths, co-producer

With:
Peter Hammill (Van Der Graaf Generator) - vocals
Andy Partridge (XTC) - vocals
Kevin Godley (10CC) - vocals
Colin Edwin (Porcupine Tree) - basses
Jim Matheos (Fates Warning/OSI) - guitars
David Longdon (Big Big Train) - vocals, flute
Brian Hulse (Plenty) - co-producer, guitars, synths, keyboards, drum programming
Fran Broady - violin
Ian Dixon / trumpet
David K Jones (Plenty) - bass
Tom Atherton - drums
Dylan Howe - drums
Charles Grimsdale - drums

Tracklist:

01. I Go Deeper
02. The Train That Pulled Away
03. Rainmark (Feat. Jim Matheos)
04. Not Married Anymore (Feat. Dylan Howe)
05. Flowers At The Scene (Feat. Jim Matheos)
06. It's The World (Feat. Peter Hammill, Jim Matheos, Steven Wilson)
07. Borderline (Feat. Dylan Howe, David Longdon)
08. Ghostlike
09. The War On Me
10. Killing To Survive (Feat. Peter Hammill)
11. What Lies Here (Feat. Kevin Godley, Andy Partridge)


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Re: Tim Bowness (ENGLAND)

Postby Horex » 29 Jul 2024, 09:14

Tim Bowness - Late Night Laments (2CD) (2020)

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Year : 2020
Style : Progressive Rock , Art Rock
Country : United Kingdom
Audio : 320 kbps + scans
Size : 131 mb


Bio:

Tim Bowness (born 29 November 1963) is an English singer and songwriter primarily known for his work as part of the band No-Man,a long-term project formed in 1987 with Porcupine Tree's Steven Wilson.In addition to recording albums with No-Man (for record labels such as One Little Indian, Sony/Epic, Inside Out Music and Kscope), Bowness has appeared on albums by US artists OSI and David Torn, Italian artists Alice, Fjieri, Nosound and Stefano Panunzi, Norwegian groups White Willow and The Opium Cartel, and others.In 1994, he recorded an album with Porcupine Tree/Japan/Rain Tree Crow keyboard player Richard Barbieri, called Flame.Bowness has been a core or occasional member of several other bands. He has sung for German band Centrozoon and British electro-improvisers Darkroom on the more vocal-orientated projects performed and released by each group. He is the lead singer and guitarist for Henry Fool and also sings for Memories of Machines. He was singer (and occasional second guitarist) for Samuel Smiles between 1992 and 2000. Bowness also has a longstanding duo collaboration with Peter Chilvers (with whom he has worked in Samuel Smiles and Henry Fool). This project has so far produced one album, 2002's California, Norfolk.Bowness's debut solo album, My Hotel Year was released on One Little Indian in 2004. The album made use of Bowness collaborators both old and new, and featured Roger Eno and Hugh Hopper amongst others.In 2009, Bowness co-wrote and co-produced Talking with Strangers, an album by former Fairport Convention singer, Judy Dyble.Warm Winter, the debut album by Memories of Machines (a collaboration with Nosound's Giancarlo Erra), was issued on Mascot in April 2011, and the self-titled debut release by Anglo Estonian project Slow Electric was released on Panegyric in October 2011.Bowness's second solo album Abandoned Dancehall Dreams was released on 23 June 2014 on Inside Out Music. Produced by Bowness and mixed by Steven Wilson, collaborators included Pat Mastelotto, Colin Edwin and Classical composer Andrew Keeling. Richard Barbieri and Grasscut provided mixes for the bonus disc. Abandoned Dancehall Dreams came out to some of the best reviews of Bowness' career. Receiving positive endorsements from Prog and Classic Rock, the album reached No. 18 in the official UK Rock charts and No. 1 in Prog magazine's July 2014 and August 2014 charts.A follow-up to Abandoned Dancehall Dreams, Stupid Things That Mean The World, was released on 17 July 2015 on Inside Out Music. Bowness admitted similarities between the two albums, in both the musical approach and artwork, calling it the second part of a new chapter that began with Abandoned Dancehall Dreams.Produced by Bowness and mixed by Bruce Soord, collaborators included Peter Hammill, Colin Edwin, Phil Manzanera and David Rhodes. The album reached No. 10 in both the official UK Rock and UK Vinyl charts, and No. 1 in Prog magazine's July 2015 and August 2015 charts. In September 2015, Stupid Things That Mean The World was No. 9 in the first ever official UK Progressive chart.

Album:

English vocalist (and occasional synth player) Tim Bowness is primarily known as the vocalist and lyricist for no-man with Steven Wilson (who mixed this album). But he has released several well-received solo albums in recent years and is set to release another one in late August. ‘Late Night Laments’ is the rather fitting name for this new release of quiet, atmospheric songs, as quiet late nights serve as an ideal time for listening to them. Fans of his work should know what to expect, and their expectations will most likely be met.As most of his albums have been, this new release relies heavily on electronic music and beats. It begins with “Northern Rain” a moody yet gentle song with added vocals by Melanie Woods, which adds a nice rounded out sound to the song. Bowness of course relies on him, by this time, signature laid back and breathy style of singing that is instantly recognizable. The music is fittingly chill and sets up the rest of the album quite well.Woods returns as backing vocalists on several songs, including the next song “I’m Better Now” which has a darker, almost menacing feel to it. Despite this being a solo album, this has a very no-man feel to it; more so than the rest of the album, and more so than his recent solo albums. He has a unique vocal style, and it works best with this melodicism and slightly atonal guitar work of Brian Hulse. And with lyrics like ‘two seconds of hate/ a lifetime of grieving’ it becomes of the darker songs that Tim has recorded in recent history, and one of the highlights of the album.The continuing combination of quiet, almost peaceful music with more intense lyrical themes is “The Hitman Who Missed” which is dominated by soothing synths, and electric beats while being augmented by a vibraphone. The results are on the one hand striking, but at the same time, the entire affair is so laid back and peaceful, there remains little about it that really sticks in the listener’s mind for any length of time. This is something that I can, unfortunately, say about most of the album; it is enjoyable and chill listening experience, but I’m left at the end of it with little really sticking with me, and little to really say about it.The album concludes with “One Last Call” a fitting late-night lament of bitter hearts, and better times. It is piano-driven with more subtle use of the vibraphone. One last call is made, and one last drink is taken, and just like that, the relationship is over. A universal theme for certain, and one that keeps many a person up late at night remembering.With ‘Late Night Laments’ the increasingly prolific Tim Bowness has given the listener a 40-minute album of subtle, moody music, and lyrics and themes that get increasingly dark the more you listen and the more you pay attention. While hurt by its continual lackadaisical approach, there are still flashes of his gift as a songwriter, and arranger of songs. Long time fans will find what they’re looking for, but earlier albums will make a better starting off point for newcomers.

Line Up:

Tim Bowness - vocals, synths, co-producer

With:

Richard Barbieri - keyboards & synth
Colin Edwin - bass
Kavus Torabi - guitars, vocals
Evan Carson - drums & percussion

Tracklist:

CD1:

01. Northern Rain
02. I'm Better Now
03. Darkline
04. We Caught The Light
05. The Hit-man Who Missed
06. Never A Place
07. The Last Getaway
08. Hidden Life
09. One Last Call

CD2:

01. The Other Side
02. Beauty In Decay
03. Beyond The Firing Line
04. Cheerleader For The Damned
05. War Games By The Sea


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Re: Tim Bowness (ENGLAND)

Postby Horex » 29 Jul 2024, 09:15

Tim Bowness - Butterfly Mind (2CD) (Limited Edition) (2022)

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Year : 2022
Style : Progressive Rock , Art Rock
Country : United Kingdom
Audio : 320 kbps + scans
Size : 223 mb


Bio:

Tim Bowness (born 29 November 1963) is an English singer and songwriter primarily known for his work as part of the band No-Man,a long-term project formed in 1987 with Porcupine Tree's Steven Wilson.In addition to recording albums with No-Man (for record labels such as One Little Indian, Sony/Epic, Inside Out Music and Kscope), Bowness has appeared on albums by US artists OSI and David Torn, Italian artists Alice, Fjieri, Nosound and Stefano Panunzi, Norwegian groups White Willow and The Opium Cartel, and others.In 1994, he recorded an album with Porcupine Tree/Japan/Rain Tree Crow keyboard player Richard Barbieri, called Flame.Bowness has been a core or occasional member of several other bands. He has sung for German band Centrozoon and British electro-improvisers Darkroom on the more vocal-orientated projects performed and released by each group. He is the lead singer and guitarist for Henry Fool and also sings for Memories of Machines. He was singer (and occasional second guitarist) for Samuel Smiles between 1992 and 2000. Bowness also has a longstanding duo collaboration with Peter Chilvers (with whom he has worked in Samuel Smiles and Henry Fool). This project has so far produced one album, 2002's California, Norfolk.Bowness's debut solo album, My Hotel Year was released on One Little Indian in 2004. The album made use of Bowness collaborators both old and new, and featured Roger Eno and Hugh Hopper amongst others.In 2009, Bowness co-wrote and co-produced Talking with Strangers, an album by former Fairport Convention singer, Judy Dyble.Warm Winter, the debut album by Memories of Machines (a collaboration with Nosound's Giancarlo Erra), was issued on Mascot in April 2011, and the self-titled debut release by Anglo Estonian project Slow Electric was released on Panegyric in October 2011.Bowness's second solo album Abandoned Dancehall Dreams was released on 23 June 2014 on Inside Out Music. Produced by Bowness and mixed by Steven Wilson, collaborators included Pat Mastelotto, Colin Edwin and Classical composer Andrew Keeling. Richard Barbieri and Grasscut provided mixes for the bonus disc. Abandoned Dancehall Dreams came out to some of the best reviews of Bowness' career. Receiving positive endorsements from Prog and Classic Rock, the album reached No. 18 in the official UK Rock charts and No. 1 in Prog magazine's July 2014 and August 2014 charts.A follow-up to Abandoned Dancehall Dreams, Stupid Things That Mean The World, was released on 17 July 2015 on Inside Out Music. Bowness admitted similarities between the two albums, in both the musical approach and artwork, calling it the second part of a new chapter that began with Abandoned Dancehall Dreams.Produced by Bowness and mixed by Bruce Soord, collaborators included Peter Hammill, Colin Edwin, Phil Manzanera and David Rhodes. The album reached No. 10 in both the official UK Rock and UK Vinyl charts, and No. 1 in Prog magazine's July 2015 and August 2015 charts. In September 2015, Stupid Things That Mean The World was No. 9 in the first ever official UK Progressive chart.

Album:

40 years after first appearing in bands in his native North West England, 'Butterfly Mind' is Tim Bowness' most surprising release to date.From the short, sharp shocks of 'Always The Stranger' and 'Only A Fool' to the long, ambitious tracks of the sensual 'Dark Nevada Dream', the cinematic electro-ballroom of 'Glitter Fades' and the dystopian paranoia of 'Say Your Goodbyes' Parts 1 and 2, 'Butterfly Mind' offers a heady mix of art-rock invention, post-punk energy and epic, soulful ballads.Tim's seventh solo album is accompanied by the outstanding rhythm section of Richard Jupp (in his first major session since leaving Elbow) and Nick Beggs, as well as a spectacular guest list including Ian Anderson (Jethro Tull), Dave Formula (Magazine), Peter Hammill (Van Der Graaf Generator), Martha Goddard (The Hushtones), Gregory Spawton (Big Big Train), Mark Tranmer (The Montgolfier Brothers / GNAC), Saro Cosentino (Franco Battiato), Italian jazz musician Nicola Alesini, US singer Devon Dunaway (Ganga), Stephen W Tayler (Kate Bush) and - in his first studio work with Tim in almost three decades - former No Man violinist Ben Coleman. The album was produced by Tim Bowness and Brian Hulse (Plenty), mixed and mastered by Steven Wilson.Available as a limited 2CD edition (with alternative mixes and bonus material) and as a limited 180g LP + CD edition with special die-cut artwork by Carl Glover. Also available as a digital album.

Line Up:

Tim Bowness - vocals, synths, co-producer

With:

Nick Beggs (b)
Richard Jupp (d)
Ian Anderson
Dave Formula
Peter Hammill
Martha Goddard
Gregory Spawton
Mark Tranmer
Sara Cosentino
Nicola Alesini
Devon Dunaway
Stephen W Tayler
Ben Coleman

Tracklist:

CD1:

01. Say Your Goodbyes, Pt. 1 2:22
02. Always The Stranger 2:50
03. It's Easier To Love 5:13
04. We Feel 4:53
05. Lost Player 3:13
06. Only A Fool 4:33
07. After The Stranger 1:15
08. Glitter Fades 4:50
09. About The Light That Hits The Forest Floor 3:49
10. Dark Nevada Dream 8:26
11. Say Your Goodbyes, Pt. 2 1:59

CD2:

01. Say Your Goodbyes, Pt. 1 Alt 2:23
02. Always The Stranger Alt 2:48
03. It's Easier To Love Alt 5:10
04. We Feel Alt 5:02
05. Lost Player Alt 3:16
06. Only A Fool Alt 4:36
07. After The Stranger Alt / Extended Version 2:06
08. Glitter Fades Alt 4:53
09. About The Light That Hits The Forest Floor Alt 3:48
10. Dark Nevada Dream Alt 8:26
11. Say Your Goodbyes, Pt. 2 Alt 1:52
12. Clearing Houses 3:34
13. Always The Stranger - Raw :45
14. Lost Player - Primitive 2:48


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Re: Tim Bowness (ENGLAND)

Postby Horex » 29 Jul 2024, 09:16

Tim Bowness - Powder Dry (2024)

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Year : 2024
Style : Progressive Rock , Art Rock
Country : United Kingdom
Audio : 320 kbps + front
Size : 132 mb


Bio:

Tim Bowness (born 29 November 1963) is an English singer and songwriter primarily known for his work as part of the band No-Man,a long-term project formed in 1987 with Porcupine Tree's Steven Wilson.In addition to recording albums with No-Man (for record labels such as One Little Indian, Sony/Epic, Inside Out Music and Kscope), Bowness has appeared on albums by US artists OSI and David Torn, Italian artists Alice, Fjieri, Nosound and Stefano Panunzi, Norwegian groups White Willow and The Opium Cartel, and others.In 1994, he recorded an album with Porcupine Tree/Japan/Rain Tree Crow keyboard player Richard Barbieri, called Flame.Bowness has been a core or occasional member of several other bands. He has sung for German band Centrozoon and British electro-improvisers Darkroom on the more vocal-orientated projects performed and released by each group. He is the lead singer and guitarist for Henry Fool and also sings for Memories of Machines. He was singer (and occasional second guitarist) for Samuel Smiles between 1992 and 2000. Bowness also has a longstanding duo collaboration with Peter Chilvers (with whom he has worked in Samuel Smiles and Henry Fool). This project has so far produced one album, 2002's California, Norfolk.Bowness's debut solo album, My Hotel Year was released on One Little Indian in 2004. The album made use of Bowness collaborators both old and new, and featured Roger Eno and Hugh Hopper amongst others.In 2009, Bowness co-wrote and co-produced Talking with Strangers, an album by former Fairport Convention singer, Judy Dyble.Warm Winter, the debut album by Memories of Machines (a collaboration with Nosound's Giancarlo Erra), was issued on Mascot in April 2011, and the self-titled debut release by Anglo Estonian project Slow Electric was released on Panegyric in October 2011.Bowness's second solo album Abandoned Dancehall Dreams was released on 23 June 2014 on Inside Out Music. Produced by Bowness and mixed by Steven Wilson, collaborators included Pat Mastelotto, Colin Edwin and Classical composer Andrew Keeling. Richard Barbieri and Grasscut provided mixes for the bonus disc. Abandoned Dancehall Dreams came out to some of the best reviews of Bowness' career. Receiving positive endorsements from Prog and Classic Rock, the album reached No. 18 in the official UK Rock charts and No. 1 in Prog magazine's July 2014 and August 2014 charts.A follow-up to Abandoned Dancehall Dreams, Stupid Things That Mean The World, was released on 17 July 2015 on Inside Out Music. Bowness admitted similarities between the two albums, in both the musical approach and artwork, calling it the second part of a new chapter that began with Abandoned Dancehall Dreams.Produced by Bowness and mixed by Bruce Soord, collaborators included Peter Hammill, Colin Edwin, Phil Manzanera and David Rhodes. The album reached No. 10 in both the official UK Rock and UK Vinyl charts, and No. 1 in Prog magazine's July 2015 and August 2015 charts. In September 2015, Stupid Things That Mean The World was No. 9 in the first ever official UK Progressive chart.

Album:

Featuring 16 pieces over its restless 40-minute duration, Tim Bowness's eighth studio album "Powder Dry" represents a new beginning on a new label (Kscope).A collection of acute contrasts, echoed by Carl Glover's vibrant artwork, the album was produced, performed and written by Bowness (a first) and mixed by Bowness's partner in No-Man Steven Wilson, who also acted as Bowness's sounding board during the mixing process."I've had the pleasure to work on most of Tim's solo albums, and for me this is the best and most creative of them all, partly because this time it's truly a 'solo' album, showcasing not only his unique vocals, but also his distinctive approach to production and performance. It's totally Tim!" - Steven Wilson

Line Up:

Tim Bowness - vocals, synths, co-producer

Tracklist:

01. Rock Hudson 2:03
02. Lost / Not Lost 2:09
03. When Summer Comes 2:59
04. Idiots At Large 2:50
05. A Stand-Up For The Dying 4:57
06. Old Crawler 1:18
07. Heartbreak Notes 1:33
08. Ghost Of A Kiss 1:36
09. Summer Turned 2:06
10. You Can Always Disappear 2:36
11. Powder Dry 2:38
12. Films Of Our Youth 1:30
13. This Way Now 2:20
14. I Was There 4:09
15. The Film Of Your Youth 2:17
16. Built To Last 2:32


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