Paradise Lost - Medusa (Japan Edition) (2017)

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Paradise Lost - Medusa (Japan Edition) (2017)

Príspevokod užívateľa Horex » 25 Mar 2023, 18:13

Paradise Lost - Medusa (Japan Edition) (2017)

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Year : 2017 (Japan Edition)
Style : Gothic Metal , Heavy Metal
Country : United Kingdom
Audio : 320 kbps + all scans + Video
Size : 168 mb


Bio:

Thirteen albums into Paradise Lost's 20+ year career, namedropping is pointless. The only band they can and should be held up against for comparison and consideration is Paradise Lost.With a career dating back to 1988, and their official recording debut in 1990 (Lost Paradise), the band has been riding and rollercoaster of highs and lows that began in earnest with their fourth album, Icon, in 1993. It presented Paradise Lost as a band that had more to offer beyond their established doom-death metal sound, driving the point home in 1995 with Draconian Times, an album that is considered to be a goth metal benchmark to this very day. That they would follow their international breakthrough with a slide into the realms of electronica only two years later (One Second) boggled the collective mind of Paradise Lost’s devout fanbase, yet their new direction earned a following of its own. The band made a gradual return to the swamp that spawned them, however, beginning with 2002’s Symbol Of Life. Elements of their favoured doom-goth sound grew consistently darker and louder with each album that followed, and each time the curiosity as to how far Paradise Lost would take this comeback grew.It’s fair to say the band’s new outing, Tragic Idol, is the album fans of the Icon and Draconian Times era have been waiting on the edge of their seats for.Recorded at The Chapel Studios in Lincolnshire, England, with vocals laid down at Fascination Street Studios in Orebro, Sweden and produced, mixed and mastered by Jens Bogren (OPETH, BORKNAGAR), Tragic Idol is a no-holds-barred album that, according to guitarist Greg Mackintosh, was “influenced more by classic metal and classic doom metal than anything else.” Lead-off track ‘Solitary One’ the closing dirge of ‘The Glorious End’ echo this statement with their crushing doom approach, while the sledgehammer riffs of ‘Crucify’, ‘To The Darkness’ and ‘In This We Dwell’ draw Paradise Lost out of the goth realm, simultaneously pulling naysayers of the genre into the darkness. This is par for the entire course of Tragic Idol; for every plodding doom-oriented track there is a song loaded with traditional metal riffs and guitar leads, making it a feast for anyone who takes pleasure in being crushed by a wall of guitars.Vocalist Nick Holmes leads the charge, as always, singing his guts out rather than opting to growl and croon his way through the proceedings. In a day and age when gothic metal is often defined by how closely the vocalist can mimic the late and great Peter Steele (TYPE O NEGATIVE), Holmes attacks with a diversity and aggression that raises the bar for veteran would-be goth heroes and newcomers to the scene.Holmes’ lyrics have always been traditionally dark and introspective, and Tragic Idol is no exception. There are no verses for the fantasy and folk metal set, no tales of boy-meets-girl; he chooses instead to focus on the depths of stark reality.“I wrote a lot about truth and honesty,” says Holmes. “We've got a song called ‘Honesty In Death’, and (my) initial thoughts were about how humble death makes people, how insignificant little problems are. It makes you realize what’s really important in life.”As for calling the album Tragic Idol, it’s the appropriate title for an album unleashed upon a modern day society that, in general, believes all that glitters is gold. The title track is a classic case of Paradise Lost putting life in perspective and pounding the message home:“It’s about the beauty and innocence of youth,” Holmes says of ‘Tragic Idol’. “Worshipping another human being with an equal amount of susceptibility to pain, suffering and depression as the next person, but by some chance has been propelled into some godlike status. Adulation eats away and makes the person ugly on the inside, believing their self importance to be above others, not realizing their insignificance and irrelevance in the grand scheme of things.”Tragic Idol as a whole isn’t merely Paradise Lost’s long-awaited return to form; it’s a soundtrack inspired by life, served up as a well-meant kick in the teeth.

Album:

The album will be released on September 1 via Nuclear Blast.The artwork was created by Branca Studio and shows the infamous Gorgone Medusa from Greek mythology, carrying venomous snakes as hair and turning anyone into stone who would dare to look into her eyes.PARADISE LOST guitarist Greg Mackintosh states about the artwork: "Whilst we were writing 'Medusa' and realizing what the new songs were becoming, we had to find an artist to reflect this direction. After searching around for a while, I found Branca Studios. They have a keen eye for design and their modern take on retro artwork really fit the bill. What they have come up with is a blending of colorful-yet-retro styling, whilst maintaining the classic PARADISE LOST feel."About the choice to make her the figurehead of this new album, singer Nick Holmes adds: "I was intrigued about a greater meaning and thinking more along the lines of what Medusa represents metaphorically. 'Medusa' as a title works in many ways. From a nihilist perspective, when I read the description of 'Medusa' on the Wikipedia page: 'Attempts to avoid looking into Medusa's eyes represents avoiding the ostensibly depressing reality that the universe is meaningless.' The title was pretty much in the bag!"PARADISE LOST has announced a very special release show that will take place in Stuttgart at the iconic LKA Longhorn. Only on this night of September 1, PARADISE LOST will perform its entire new album. A short time later, PARADISE LOST will embark for an extensive European journey and bring their label mates and U.S. doomsters PALLBEARER, as well as SINISTRO from Portugal.Regarding the sound of "Medusa", Nick told Italy's Linea Rock: "I would say if you've ever heard every album by PARADISE LOST, it's closest to the 'Shades Of God' album, our third album. It's an album carrying on from that, but hopefully it's a lot more sophisticated and it's better produced and better played than that album." Gregor added: "Style-wise, it's more between 'Gothic' and 'Shades Of God' era, with modern touches to it as well."

Line-Up:

Nick Holmes - Vocals (Bloodbath)
Gregor Mackintosh - Lead Guitars, Keyboards (Vallenfyre)
Aaron Aedy - Rhythm Guitars
Stephen Edmondson - Bass
Adrian Erlandsson - Drums (At the Gates, Brujeria, Martyr Lucifer, The Haunted, Vallenfyre, ex-Decameron, ex-H.E.A.L., ex-Needleye, ex-Terror, Nemhain, ex-12 Ton Method, ex-Cradle of Filth, ex-Samsas Traum, ex-Netherbird, ex-Tenet, ex-Hyperhug, ex-Penance (SWE), ex-Skitsystem, ex-Deathstars (live))

Tracklist:

01. Fearless Sky
02. Gods Of Ancient
03. From The Gallows
04. The Longest Winter
05. Medusa
06. No Passage For The Dead
07. Blood & Chaos
08. Until The Grave
09. Shrines (Bonus Track)
10. Symbolic Virtue (Bonus Track)
11. Frozen Illusion (Bonus Track)

+ Video "Blood & Chaos" (Official Video)


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