Metallica - Hardwired…To Self-Destruct (3CD) (Deluxe Edition) (2016)

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Metallica - Hardwired…To Self-Destruct (3CD) (Deluxe Edition) (2016)

Príspevokod užívateľa Horex » 13 Mar 2021, 17:47

Metallica - Hardwired…To Self-Destruct (3CD) (Deluxe Edition) (2016)

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Year : 2016
Style : : Thrash Metal
Country : United States
Audio : 3320 kbps + all scans + Videos
Size : 101 mb


Bio:

Metallica is an American heavy metal band from Los Angeles, California. The band's fast tempos, instrumentals, and aggressive musicianship placed them as one of the founding "big four" of thrash metal alongside Slayer, Megadeth, and Anthrax. Metallica was formed in 1981 when James Hetfield responded to an advertisement that drummer Lars Ulrich had posted in a local newspaper. The current line-up features founders Hetfield (vocals, rhythm guitar) and Ulrich (drums), longtime lead guitarist Kirk Hammett and bassist Robert Trujillo, who joined the band in 2003. Previous members of the band are lead guitarist Dave Mustaine, who went on to found Megadeth, bassists Ron McGovney (demos only), Cliff Burton (the first three records, died in 1986), and Jason Newsted. The band also had a long collaboration with producer Bob Rock, who produced all of its albums from 1990 to 2003 and served as a temporary bassist between the departure of Newsted and the hiring of Trujillo.The band earned a growing fan-base in the underground music community and critical acclaim with its first four albums, with their third, Master of Puppets (1986), described as one of the most influential and heavy thrash metal albums. Metallica achieved substantial commercial success with their eponymous fifth album (also known as The Black Album), which debuted at number one on the Billboard 200. With this release the band expanded its musical direction resulting in an album that appealed to a more mainstream audience.In 2000, Metallica was among a number of artists who filed a lawsuit against Napster for sharing the band's copyright-protected material for free without any band member's consent. A settlement was reached, and Napster became a pay-to-use service. Despite reaching number one on the Billboard 200, the release of St. Anger (2003) alienated many fans with the exclusion of guitar solos and the "steel-sounding" snare drum. A film titled Some Kind of Monster documented the recording process of St. Anger and the tensions within the band during that time. In 2009, Metallica was inducted into the Rock and Roll Hall of Fame.Metallica has released nine studio albums, four live albums, five extended plays, 25 music videos, and 37 singles. The band has won nine Grammy Awards, and has had five consecutive albums debut at number one on the Billboard 200, making Metallica the first band to do so. The band's eponymous 1991 album has sold over 16 million copies in the United States, making it the best-selling album of the SoundScan Era. Metallica ranks as one of the most commercially successful bands of all time, having sold over 120 million records worldwide.Metallica has been listed as one of the greatest artists of all time by many magazines, including Rolling Stone, which ranked them 61st on its list of The 100 Greatest Artists of All Time. As of December 2012, Metallica is the fourth best-selling music artist since Nielsen SoundScan began tracking sales in 1991, selling a total of 53,642,000 albums in the United States alone. In 2012, Metallica formed the independent record label Blackened Recordings, and took ownership of all of the band's albums and videos.

Album:

Hardwired... to Self-Destruct is the upcoming tenth studio album by American heavy metal band Metallica. It will be released as a double album on November 18, 2016 by the group's independent label Blackened Recordings. It will be Metallica's first studio album in eight years since Death Magnetic (2008), marking the longest gap between two studio albums in the band's career. It will also be the first studio album by the band not to feature songwriting contributions from Kirk Hammett since he joined the band in 1983.Truly, the road to what would become Hardwired… to Self-Destruct has been a long and patience-wearing one for all involved. With ventures like the bizarre Through the Never (2013) film and the band starting (and stopping) their own festival called “Orion Music + More”, it seems that the Californian quartet has been doing everything bar making a record for the best part of the last decade.But, after years of build-up, Hardwired… is now mere days away and to make up for the long studio hiatus, this album is made up of almost eighty minutes of adrenaline-pumping rock.Opening with the thrashing title track ‘Hardwired’, the record truly picks up steam early, with open E-string guitar chugging from axe-wielders James Hetfield and Kirk Hammett as well as a flurry of punishing blast beats from Lars Ulrich. At roughly three minutes, ‘Hardwired’ is all-killer-no-filler, refusing to relent in its speed and aggression for even a second. It’s simple, primal thrash, adhering to the sub-genre’s most basic ideology of “shred first, ask questions never”.Follow-up ‘Atlas, Rise!’ maintains a small portion of its predecessor’s speed but, for the most part, is closer to mid-paced, setting the precedent for the rest of the record to follow.That’s right: Hardwired… to Self-Destruct is not a thrash album. Rather, it is a release that utilises the conventions of a number of heavy styles, from NWOBHM to melodic death metal to thrash to doom metal, all of which become apparent as the album proceeds.‘Atlas…’ ditches the blast beats from ‘Hardwired’ but retains some of the open-string guitar-work, while also adding brilliantly melodic riffs during the chorus. On ‘Atlas…’ especially, there is a great synergy between the riffs and the vocal delivery from Hetfield, exemplified perfectly as his pre-chorus bark of ‘Die as you suffer in vain’ is complemented by a brilliantly harmonic guitar behind it.Furthermore, speaking of Hetfield’s vocals, they are doubtlessly at a peak right now. Metallica’s front-man lays out a near-flawless performance on Hardwired…, creating some truly empowering melodies over the course of the record’s two discs. From thrash-tinged shouts to soaring clean notes to even some pulse-pounding growls, Hetfield can do no wrong here.Moving on, ‘Now That We’re Dead’ takes the record on a stunning left turn, sounding closer to Metallica’s Load (1996) era than anything else the band has made since. The mid-pace remains, the blast beats are once again absent and the powerhouse shredding from Hammett and Hetfield now becomes more chord-based. While the similarity to the band’s ‘90s output is by no means overt (and is certainly not intended as a criticism), it’s doubtlessly the closest they have got to that sound since they adopted a more “raw” style on St. Anger (2003) and then the “pure, noisy thrash” approach on Death Magnetic (2008).Second single ‘Moth into Flame’ is the most melodic song up to this point, practically drowning in perfect, head-banging rhythms, addictive leads and high-flying refrains. Of all the entries in Hardwired…, this is doubtlessly among the strongest.‘Dream No More’ roars its way into existence with doom metal chords that gradually evolve into a fully-fledged riff, with the track’s heaviness, raspy delivery from Hetfield, slower speed and Hammett’s downbeat solo making it eerily reminiscent to Icon (1993)-era Paradise Lost.The closer for Hardwired… to Self-Destruct’s first half is the lengthy and ingenious ‘Halo on Fire’. For years now, Metallica have had the tradition of incorporating that one “sad-turned-anarchic” song into every album they create; from ‘The Unforgiven’ on the ‘Black Album’ (1991) to ‘The Day That Never Comes’ on Death Magnetic to ‘Welcome Home (Sanitarium)’ on Master of Puppets (1986) to ‘One’ on …And Justice for All (1988), it’s practically become a guarantee that there’ll be one more gradual song per record.‘Halo…’ is the closest Hardwired… to Self-Destruct gets to that archetype. And while it doesn’t follow the ‘One’-style structure entirely, its grandiosity and complexity are both undeniable. Boasting an impressive three guitar solos, the instrumentation balances the clean, harmonic and technical perfectly, with the track’s softer verses finally giving the bass of Robert Trujillo some spotlight.As the second half begins with the duo of ‘Confusion’ and ‘ManUNkind’, however, things begin to look just slightly bleak. At this point, the mid-pace composition of Hardwired… has gone from new and intriguing to just being the norm, and neither song can even hold a candle to the epic ‘Halo on Fire’. Neither truly sticks out or is anywhere near as memorable as any of the cuts that came before.‘Here Comes Revenge’ claws the momentum back slightly, with its riffs sounding like a mix of thrash and Swansong (1996)-era Carcass while the verses perfectly blend melody, energy and head-banging rhythm, much like ‘Moth into Flame’ before it. However, things return to the realm of the mundane with ‘Am I Savage?’. The entry is somewhat superior to ‘Confusion’ and ‘ManUNkind’, purely due to a brilliant post-chorus guitar shred, but once again, for the most part, this is another track where very little sticks.‘Murder One’ is a loving tribute to fallen rock god Lemmy Kilmister of Motörhead, and that fact comes across unabashedly as Hetfield bellows “Aces high!” in a distinct and unbridled unleashing of harmonic emotion during the chorus. In fact, vocally, this is Hetfield’s best track, mixing powerful highs with dark lows.However, as great as this record is – with its fair share of missteps, of course – nothing compares to its closer: the intense, heavy, thrashy, eargasm-inducing ‘Spit Out the Bone’.Everything about this track is brilliant; it is a return to the thrash sound of opener ‘Hardwired’, with the style made all the more special by its rarity on this album. The guitars constantly stun while Trujillo – about halfway through the track – delivers the best Metallica bass riff since 1991’s ‘My Friend of Misery’. Absolutely everything falls into place for this masterpiece of a metal song; doubtlessly, it is a candidate for best stand-alone heavy track of 2016.Complete with two rip-roaring solos, Hardwired… halts with what is indeed a grand finale, saving its very best for the very end. It leaves listeners on an immense high note, implementing in the minds of most that this has to be the best Metallica album of the past 25 years. Despite a few missteps on the generally benign ‘Confusion’, ‘ManUNkind’ and ‘Am I Savage?’, Hardwired… to Self-Destruct is one of Metallica’s most versatile works, predominantly mixing thrash, melo-death and classic metal to make an enigmatic concoction that is guaranteed to draw fans back again and again.And with each listen, it will only get better.

Line-Up:

Lars Ulrich Drums (1981-present)
James Hetfield Vocals, Guitars (rhythm) (1981-present) - See also: ex-Leather Charm, ex-Obsession, ex-Phantom Lord, ex-Spastik Children
Kirk Hammett Guitars (lead) (1983-present) - See also: ex-Exodus, ex-Spastik Children
Robert Trujillo Bass (2003-present) - See also: Jerry Cantrell, ex-Infectious Grooves, ex-Ozzy Osbourne, ex-Suicidal Tendencies, ex-Black Label Society (live), ex-Mass Mental

Tracklist:

CD1:

01. Hardwired
02. Atlas, Rise!
03. Now That We're Dead
04. Moth Into Flame
05. Dream No More
06. Halo On Fire

CD2:

01. Confusion
02. ManUNkind
03. Here Comes Revenge
04. Am I Savage?
05. Murder One
06. Spit Out The Bone

CD3

01. Lords Of Summer
02. Ronnie Rising Medley
03. When a Blind Man Cries
04. Remember Tomorrow
05. Helpless (Live at Rasputin Music)
06. Hit the Lights (Live at Rasputin Music)
07. The Four Horsemen (Live at Rasputin Music)
08. Ride the Lightning (Live at Rasputin Music)
09. Fade to Black (Live at Rasputin Music)
10. Jump in the Fire (Live at Rasputin Music)
11. For Whom the Bell Tolls (Live at Rasputin Music)
12. Creeping Death (Live at Rasputin Music)
13. Metal Militia (Live at Rasputin Music)
14. Hardwired (Live in Minneapolis)

+ Video "Moth Into Flame" (Official Video)
+ Video "Hardwired" (Official Video)

Please my link You can´t spread further and don´t upload to other hostings!!!

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