Maniac (AUSTRIA)

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Horex
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Maniac (AUSTRIA)

Postby Horex » 10 Dec 2024, 11:50

Maniac - Maniac (1985) (Koch International Records Edition 1989)

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Year : 1985 (Koch International Records Edition 1989)
Style : Heavy Metal , Speed Metal
Country : Austria
Audio : 320 kbps + all scans
Size : 90 mb


Bio:

Austrian Heavy Metal band from Imst, Tyrol.Formed in 1983, split up in 1990.With the members sharing writing and lyrical credits on various tracks Maniac, featuring Christoph Just (guitars/vocals (backing), Markus Überbacher (guitars/vocals (backing), Mark Wederell (vocals) and Werner Ranftl (bass/vocals (backing) would release Maniac (1985). Andy Marberger (bass/vocals (backing)) and Tom Peroutka (drums) would be featured on the follow-up Look Out (1989). The band would loose its contract with record company 'Koch' soon after. After two unsuccessful demos they called it quits in 1990.

Album:

Debut full-length album.Recorded and mixed at Spygel Studios, Kirchheim/Teck, West-Germany, June/July 1985.The mid-80s were generally known as a softer time for metal, not merely for the ascent of the Sunset Strip scene that hit its first apex with Motley Crue's commercial boon Theater Of Pain, but also due to a curious trend of British bands making a drastic turn in the AOR direction and taking a decent chunk of Europe with them. Even by 1985 one couldn't help but note how Teutonic heavy metal stalwarts Accept had taken a more arena anthem approach on Metal Heart, as the speed metal style that they'd helped to pioneer started to break off from the mainline and become its own thing. In this context, a band like Austria's Maniac could be treated as something of an unlikely dissident, but ultimately an impressive one that made a solid go at keeping the metal end up on their eponymous debut of the same year.Sporting a highly unique covert art that looks like a crazed Jack Nicholson getting his head split from the top by the band's logo, what comes to the fore musically speaking is otherwise completely typical, for 1982-83. Everything from the voice of British born one-off front man Mark Wederell, whom left his homeland to join this Austrian upstart at around the time Saxon was ushering in the aforementioned AOR craze, to the generally crunchy and riff-centric approach to the accompanying music leans in about as heavy on that well-rounded blend of traditional and speed metal thunder that typified the early 80s entries of Judas Priest and Accept. Between the Downing/Tipton dual guitar assault of Christoph Just and Markus Überbacher and the thunderous battery provided by bassist Werner Ranftl and mercenary session drummer Peter Garattoni, it's the total package, falling short only in the originality department.To be fair, this doesn't come off as a full on clone of the Accept or Judas Priest approach, but more of a missing link between the grittier side of the NWOBHM that was inspired by the latter and the stainless steel of Restless And Wild and Balls To The Wall courtesy of the former. The high octane opener "You Don't Know It" kicks this album off like a raging bull, sounding like "Fast As A Shark" were it to have been blessed with a Defenders Of The Faith production. Nothing quite reaches the same level of explosive kinetic energy, though the cruising fury of "Stage Free" turns up the Screaming For Vengeance factor and the shred-happy guitar work and gets pretty close, while more scaled back semi-speeders like "Get Ready" and "Ride On" make a respectable ruckus and sport plenty of over-the-top vocals and lead guitar displays. But in terms of infectious hooks and glorious odes, it's mid-paced crushers like "God Of Thunder" and the gargantuan 8 minute tribute to "Balls To The Wall" and politically charged closer "We Swear At You" where this album truly delivers the goods.Ascribing the label of generic 80s speed/heavy metal might prove misleading in that it would suggest that this album is somehow mediocre, which is hardly the case, but it is definitely something that is unashamedly obvious about the influences to which it pays tribute. This is the sort of metal that would have been on the cutting edge about 3 years prior if it had come out of either England or Germany, with heavy influences from the other being along for the ride. Nevertheless, for a band hailing from a nation that made a modest contribution to the metal landscape in the 80s, this is a solid cut that should definitely appeal to earlier heavy metal fans whom want it fast, heavy and with a reasonable remnant of the style's hard rock past along for the ride. Apart from maybe the overtly safe rocking grooves of "Shout It Loud", there are no duds to speak of in this speed-infused arsenal, and old school metal junkies will want to hear it for a solid fix.

Line Up:

Mark Wederell - Vocals
Christoph Just - Guitars, Vocals (backing) - Songwriting (tracks 1-8), Lyrics (tracks 1-8)
Markus Überbacher - Guitars - Lyrics (tracks 1-8), Guitars, Vocals (backing), Songwriting (tracks 1-8)
Werner Ranftl - Bass - Songwriting (tracks 1, 4), Lyrics (tracks 1-8)
Peter Garattoni - Drums

Production:

Recorded At – Spygel Studio
Mixed At – Spygel Studio
Mastered At – Tonstudio Rico Sonderegger
Cover, Design – Sissy Just
Engineer – Batze Kramer
Lacquer Cut By – R. SO.
Mastered By – Rico Sonderegger
Mixed By – Tom Krüger
Music By, Lyrics By – Just , Überbacher, Ranftl
Producer – Maniac

Tracklist:

01. You Don't Know It 04:21
02. Get Ready 03:37
03. Dressed to Kill 04:23
04. God of Thunder 04:11
05. Ride On 03:37
06. Shout It Loud 04:16
07. Stage Free 03:24
08. We Swear at You 08:32


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Horex
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Re: Maniac (AUSTRIA)

Postby Horex » 10 Dec 2024, 12:39

Maniac - Look Out (Koch International Records Edition) (1989)

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Year : 1989 (Koch International Records Edition)
Style : Heavy Metal , Speed Metal
Country : Austria
Audio : 320 kbps + all scans
Size : 91 mb


Bio:

Austrian Heavy Metal band from Imst, Tyrol.Formed in 1983, split up in 1990.With the members sharing writing and lyrical credits on various tracks Maniac, featuring Christoph Just (guitars/vocals (backing), Markus Überbacher (guitars/vocals (backing), Mark Wederell (vocals) and Werner Ranftl (bass/vocals (backing) would release Maniac (1985). Andy Marberger (bass/vocals (backing)) and Tom Peroutka (drums) would be featured on the follow-up Look Out (1989). The band would loose its contract with record company 'Koch' soon after. After two unsuccessful demos they called it quits in 1990.

Album:

Second and last full-length album.Recorded and mixed at Tonstudio Zuckerfabrik in 1989.Austrian heavy/speed metal upstarts Maniac were in a rather unique position circa 1985 when their self-titled debut hit the shelves. Having planted their flag on an older stylistic approach that was more in tune with where metal had been in Germany and England during the early 80s, they were in a position to really stand out from the pack with a reasonably solid British-born singer in Mark Wederell, giving them a unique blend of Teutonic and NWOBHM stylings. Flash forward a couple years and this fold would find themselves without their aforementioned front man and also with an entirely new rhythm section, which on the upside included a permanent drummer. Now featured on the larger New York-based Koch Records, this four-piece had seemingly adopted a more time-appropriate aesthetic by the time their 1989 sophomore outing Look Out was finalized, though what came along with the seemingly glam-themed cover art was a fairly different beast.Arguably the only thing that has really been changed about Maniac's stylistic proclivities here is that the production is fuller and more closely approximated the pomp and power of the late 80s. That being said, their commitment to the older form of heavy metal with a speedy edge that was all over their debut is still very much present, if not a tad more so, as the parallels to Accept and Judas Priest have become even more pronounced. An interesting curveball that is thrown into the equation is that guitarist Markus Überbacher has taken over lead vocal duties, and when combined with the aforementioned musical influences, the result can be best described as what the child of Defenders Of The Faith and Russian Roulette would sound like with Klaus Meine at the helm. That's right, Markus' voice is so much of a dead-ringer for that of the noted Scorpions front man that one would have to check the CD liner twice to be sure he wasn't hired as a session singer.Putting aside the question as to why Überbacher didn't take up lead vocal duties earlier given how powerful of a presence he is, song for song this is about as solid of an entry as could have been heard in 1989 in the straight up heavy metal style, as both Judas Priest and Accept had largely veered away from this sound in favor of something closer to the L.A. sound at the time. Bludgeoning speed metal anthems like "Cities Burn" and "Armageddon's Day" could easily trade blows with the likes of "Freewheel Burning" and "T.V. Wars" while having a decidedly more melodic, late 80s twist on them to boot, while the heavy-ended cruiser "Power Metal Addicts" could stand as a veritable sequel to "Jawbreaker" with a fist-pumping lyrical set from a smoother voice in the place of the innuendo. Even scaled back, mid-paced anthems like "Confused Hearts" and "Bell Of Doom" spare nothing in the metal department, laying down pummeling riffs after the example of Herman Frank and keeping the vocal hooks tasteful and with plenty of bite.Why this masterwork of late 1980s proto-power metal has been allowed to languish in obscurity is beyond logical comprehension, as it has diamond in the rough written on every second of its 38 minute duration. With punchy, shaking the earth to its core odes of metal majesty like "Fighting With The Ryche Of Mordor" and "Lambs To The Slaughter" rounding out an album that almost perfectly melds every significant element of the early German and British metal scenes into a late 80s speed metal machine of an album that all but predicts the ensuing early 90s carnage that would be Painkiller, Timebomb and Domestic Booty, it's an album that has unsung classic in its blood. Don't let the visual of a long red-nailed 80s groupie from the Turbo Lover days fool you, this is top of the line Teutonic speed and heavy metal delivered straight from a nation with one of the least prolific scenes of the 80s.

Line Up:

Markus Überbacher - Vocals, Guitars (1983-1990) - See also: Supermäääx
Chris Justin - Guitars (1983-1990)
Andy Marberger - Bass (1988-1990) - See also: No Bros, ex-Shabby Maggot
Tom Peroutka - Drums (1988-1990) - See also: ex-Axework

Production:

Recorded At – Tonstudio Zuckerfabrik
Mixed At – Tonstudio Zuckerfabrik
Mastered At – Tonstudio Rico Sonderegger
Cover, Artwork – Sissy Just
Cover, Photography By – Fotostudio Mario, Austria
Engineer – Robby Baumann
Mastered By – Rico Sonderegger
Musical Assistance, Engineer – Chris Justin, Markus Überbacher

Tracklist:

01. Evil 05:18
02. Cities Burn 03:54
03. Bell of Doom 04:03
04. Hot Shots 03:23
05. Confused Hearts 04:36
06. Fighting the Ryche of Mordor 05:53
07. Power Metal Addicts 03:44
08. Armageddon's Day 03:05
09. Lambs to the Slaughter 04:14


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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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Download links for all albums only on our blog here: http://goodmetalandhar.do.am/

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